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Showing posts from 2008

The View From Here #136: Buckhannon, WV; Roanoke, VA; St. Louis & Maryville, MO; Chicago, IL; Sarasota, FL; Green Bay, WI

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Anonymous Feel Good comment on my last blog entry: “People like you that work hard to live their dream inspire many people to do the same. I love the fact that you dont only act because you love it but you act also to make people laugh and have fun!! I have yet found someone or have yet met anyone who can make me laugh as much as you did.”
Recent trend: My Moliere adaptations in competitions. My “Imaginary Invalid” will be at the Virginia High School League One-Act Play Competition, while my “Misanthrope” will be at the Massachusetts Drama Festival.
The folks at West Virginia Wesleyan had booked me once before, and brought me in at a discount, since I was nearby to do the West Virginia Theatre Conference. They put me up in the school’s guest house, which had about a half-dozen bedrooms to choose from, and I joked with my hosts that I was going to get up several times in the middle of the night, just to change beds.

I got a lot of work done, including updating these pages, from the gues…

The View From Here #135: Coeur d’Alene, ID; Overland Park, KS; Northbrook, IL; Washington, PA; Rochester, NY; Manchester, NH; Glenville, WV

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... The Fall Colors Edition ...
Get out and vote, everybody! Take no state, nor district for granted! And then crack open a cold one to celebrate my birthday!

Twenty eight years ago my twenty-first birthday celebration was dampened. I look for the success of this year’s election to redeem those “lost years.”
Since the last computer crash … almost 8 months ago now, I never have gotten the chance to rebuild the document that captured my “Commedia del Arte” workshop. I have a hard copy of the material, but haven’t re-entered the stuff into a Microsoft Word or Power Point document. And since this is relatively new material, I continue to rearrange and reorder the lecture and exercises to improve the natural progression of the content.

Which means that I’m generally working by notes, by memory and by the seat of my pants. … Which actually helps, sometimes, since I’m not attached to a specific lecture, or a series of slides flashed up on a screen.

I gave this lecture in Coeur d’Alene, working…

The View From Here #134: Chicago, IL; Milwaukee, WI; Lake Forest, IL; Denver, CO; Galesburg, IL; Chickasha, OK; Kingsville, TX; Palo Alto, CA

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My “month off” in Chicago zoomed by so fast I can barely remember it. Mostly, I remember editing scripts for publication. Playscripts has contacted me again, with news that they now want to publish my versions of “The Miser” and “The Schemings of Scapin,” in both full-length and 40-minute versions. This will bring me up to eleven plays published through Playscripts, including double versions (full-length & one-act) of “Tartuffe,” “Imaginary Invalid,” and Doctor in Spite of Himself,” as well as the Full-length “Misanthrope,” all of which may now be found at http://www.playscripts.com/author.php3?authorid=451!

I spent some time working on a fundraiser for the Pathways Scholarship Fund, , which will find me racing back to Chicago on October 18 to perform as the Emcee at this Karaoke contest event. (Sign up and come join us!) Among the items available in the silent auction is a performance of the one-man play of your choice, at the venue of your choice! (Those of you who can’t afford m…

The View From Here #133: Liege, Belgium; Paris, France; Minneapolis, MN

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Quick announcement: My long-time friend, accountant, board member of the Stage Two Theatre and Mensa member, Terry Hall, is running for Illinois State Senate! Wouldn't it be great to have someone who can balance a budget in there? Check her out at www.voteterry.com, and float a couple bucks her way!

Returning from Lincoln, Nebraska, I threw myself into editing of my Moliere scripts for submission. I would do one “pass” through a script per day, along with a rehearsal or two of “Karaoke Knights.” With each day’s rehearsal, I would re-introduce elements of the play into the mix, such as the video, the costumes or the projector. With each step I would remind myself of another layer of the play’s demands, and adjust my performance accordingly.

Finally, I videotaped myself performing the show in the basement, and virtually had to chain myself to the computer to watch the video. I am often very uncomfortable watching myself on tape, but I diverted my discomfort through my notepad, taking…